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Sydney University Profile of a Key Figure Paper

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(2) Journal Submission Weighting: 25% of final mark Your journal issue must be made up of the following components with each group member assigned to and responsible for ONE component. Whilst they are to be marked individually, the group collaboration process should continue to ensure they are submitted together and form a coherent whole: 1. Title and Introduction to the Special Issue Frame the journal issue with an original title and contents page. Then lay out an overview of your topic, providing some explanation of the major historical and theoretical contexts that underpin and frame your project. Note that your title should emerge from one of the provided topics, or a combination of several topics. These topics will be deliberately broad and generalized to give you the scope to develop your own project. You might therefore consider the topics as a prompt for a more specific, narrowly focused study of your own conception. [1000w, not induding titles, subheadings and notes) 2. A Profile (with interview, if feasible) of a Key Figure This person should be an artist, critic, theorist, academic or someone working specifically within the area of focus. [1000w (or 7 minute interview + authored voice recording) + 3-4 images/moving images) 3. Analytical/Theoretical Article In this piece, imagine you are a theorist working within the field. Offer an article in the form of an essay delving into the depth of a specific aspect of your topic. A useful prompt: start with 1- 2 provocative questions posed in your general subject area, and frame your argument around those questions. [1000w + 3-4 images/moving images] a 4. Film Review Article Offer an essay reviewing 2-3 films or works in related media that exemplify your topic area/approach/object of study. They cannot be selected from the required viewing list of films on this unit, though they can be selected from the recommended’ or ‘further’ viewing lists. In terms of approach and tone, your reviews should be written for a non-academic though sophisticated cinema journal audience. You might consider Cineaste Magazine’s review of The Phantom Thread (https://www.cineaste.com/summer2018/phantom-thread (https://www.cineaste.com/summer2018/phantom-thread)) as a useful template. Remember here that the emphasis in this piece should not be on a simple evaluative judgment of the films but exploring how they are related to the conceptual issues highlighted by the course. [1000w + 3-4 images and/or moving images)
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